Fuzz Bucket

Version: 1.1
Date: 2018-08-11

The Fuzz Bucket is an 8HP eurorack fuzz and delay module made up of a two transistor fuzz circuit and an MN3005 bucket brigade delay (BBD). Unlike most delay implementations which aim to mask sampling and reconstruction error, the Fuzz Bucket provides direct unfiltered access to delay line inputs and outputs as well as override of the BBD clock. All of the aliasing, distortion, and clock noise peculiar to bucket brigade delay is celebrated as a primary effect instead of being hidden away as an unwanted problem. In addition, a silicon "fuzz face" is grafted onto one of the audio inputs, to add some extra colour.


Signal block diagram

Two audio inputs are scaled and mixed before being fed into a 4096 stage delay line. Input channel A passes through a two transistor fuzz circuit, while input channel B is passed through unmodified. When nothing is patched into an input, it is fed with a copy of the module output.

A two-phase clock drives the bucket brigade delay line from an input signal at one half the frequency input. When no external clock signal is patched in, an internally generated clock signal is used.

For a brief demo of some simple connection examples, see the Fuzz Bucket Demo Video.

Controls & Connections

  1. Internal rate control - sets the rate of the internal clock generator from roughly 3kHz to 3MHz. Above 200kHz (roughly 4 o'clock position), the MN3005 BBD is overclocked.
  2. External clock override - AC coupled BBD clock override input. Any signal with at least 2V of swing between high and low values can be used. Note that the BBD frequency is one half that of the input clock. When no connector is present, the internal clock is routed to the BBD.
  3. Clock output - outputs a copy of the internal clock, even when an external override is present.
  4. Input A fuzz amount - controls how much fuzz is applied to the signal on input A.
  5. Input A level - adjusts the level of fuzzed signal from input A that is fed into the delay line.
  6. Input B level - adjusts the level of clean signal from input B that is fed into the delay line.
  7. Input A - AC coupled signal input routed through a fuzz circuit before being fed into the delay line. When no connector is present, this input is shorted to the module output.
  8. Input B - AC coupled signal input fed into the delay line. When no connector is present, this input is shorted to the module output.
  9. Outputs - Two copies of the module output.

Front panel diagram


Schematic Diagram


Qty Value Refs Footprint Note Example Part
2 10 R5 R6 R_0805 1/4W ERJ-T06J100V
1 100 R1 R_0805 ERJ-6ENF1000V
3 1k R2 R4 R20 R_0805 ERJ-S06F1001V
2 5.6k R15 R16 R_0805 1% ERJ-6ENF5601V
2 10k R7 R9 R_0805 ERJ-S06F1001V
1 12k R19 R_0805 1% ERJ-6ENF1202V
1 22k R22 R_0805 ERJ-6ENF2202V
1 33k R23 R_0805 ERJ-6ENF3302V
1 47k R3 R_0805 ERJ-6ENF4702V
9 100k R8 R10 R11 R12 R13 R14 R21 R24 R25 R_0805 1% ERJ-U06F1003V
1 150k R18 R_0805 1% ERJ-6ENF1503V
2 100pF C8 C17 C_0805 COG ≥25V 08053A101FAT2A
1 1nF C2 C_0805 COG ≥25V C0805H102J3GACT1K0
1 10nF C9 C_0805 COG ≥25V GRM2195C1H103JA01D
6 100nF C1 C3 C4 C14 C16 C18 C_0805 ≥25V GCE21BR71H104KA01L
5 10uF C10 C11 C12 C13 C15 C_0805 ≥25V GRM21BC71E106KE11L
1 22uF C7 C_0805 ≥25V GRT21BR61E226ME13L
2 22uF C5 C6 CP_2312 ≥20V Tantalum F971D226MCCHT3
2 LL4148 D1 D2 D_SOD80 LL4148
2 MMBT5401 Q1 Q2 SOT-23 MMBT5401
1 4093 U1 SOIC-14 HEF4093B
1 4013 U2 SOIC-14 CD4013BM
1 TL072 U4 SOIC-8 TL072CDR
1 MN3005 U3 MN3005
2 TP1 TP2 Testpoint Optional 151-202-RC
1 B100k RV1 3306F 3306F-1-104
1 B1k RV3 Alpha9mmSG RD901F-40-15R1-B1K
2 A50k RV4 RV5 Alpha9mmSG RD901F-40-15R1-A50K
1 C1M RV2 Alpha9mmSG B or C ok RD901F-40-15R1-C1M
4 Knob
1 J1 IDC_2x05 87834-1019
6 J2 J3 J4 J5 J6 J7 Thonkiconn WQP-PJ398SM

Component Selection Notes

An HEF4093 quad CMOS NAND IC was chosen for schmitt trigger U1 for a low typical hysteresis voltage of about 1V. This selection allows for a wide range of clock sources without the need for amplification. Any 4093 equivalent should work, but may require a larger clock input to reliably switch.

The overall gain of the delay block is set by resistors R23 and R22. Resistor R23 reduces the level of the input so that the BBD will clip when the input signal at R21 and R25 exceeds approximately 10V peak to peak. Output resistor R22 reverses this attenuation and adds a small amount of gain to allow self-oscillation.

Capacitor C17 is required to reduce high frequency ringing on the output which is triggered by spikes that appear at the BBD output as it switches between buckets. The value of 100pF provides a compromise between suppression and reduced bandwidth.

Fuzz transistors Q1 and Q2 were selected arbitrarily for availability, low gain and poor noise performance. Capacitor C8 helps to suppress unpleasant oscillation and AM radio pickup at high values of fuzz.

Circuit Board & Front Panel Layout

Printed Circuit Board Front Panel Layout

Build Instruction

IC and Diode Orientation

Tantalum Cap Orientation

Top Side Complete

Place Controls

Flush and Solder Panel

Module Complete

Test and Adjustment Procedure

Int Clock at Minimum

Int Clock at Maximum

Ext Clk Bias Adjustment

Clean Output 4V

Fuzzed Output

Clean Output 6V

Fuzzed Regeneration

Design Files

Issues and Limitations

Unfiltered outputs from the BBD carry a small amount of the clock signal, and at near ultra-sonic rates this clock noise may be perceived as a loud hiss. Passing the output of the module through a low pass filter can help to suppress the clock, and eliminate the hiss sound. When driving the BBD from a VCO, a low pass VCF with cutoff set to track the VCO roughly three octaves below the oscillator rate will reduce most of the clock noise. Note that while this will suppress clock noise and some of the output error, aliasing will still occur if the input signal contains frequencies greater than half the BBD clock rate (one quarter of the external clock input).

Since the output and inputs are shorted together when nothing is patched, insertion of a patch lead will temporarily connect the input signal directly to the output, and connecting to the output may mute an incoming signal briefly. In order to keep the circuit design as simple as possible, these transient patching issues have not been addressed.

While the fuzz circuit was derived from a fuzz face layout, adaptation to eurorack levels and power has changed the way it clips, particularly at low input levels. Instead of asymmetrically clipping the positive and negative signal, the circuit will clip both equally. This behaviour is quite unlike that of the fuzz face, but it works adequately in this context.

Further Work

In the design presented above, the MN3005 operates between 0V and -12V, requiring AC coupled input and output. By using a pair of linear regulators and trimming the output offset, it should be possible to run the MN3005 on a balanced local power supply, and DC couple both input and output. This change would allow use as a control voltage delay, which when used with feedback could be quite interesting.

Based on tests of the prototype module with other instruments, many of the most satisfying patches involve overriding the BBD clock with a sequenced VCO. By providing a direct clock override, the work of generating an interesting clock has been avoided and the circuit kept as simple as possible. It might be worthwhile to extend the clock circuit either with a precision VCO like the CEM3340 or a PLL like the 4046. This could then be paired with an output filter designed to track and suitably suppress clock noise automatically.


The fuzz block applied to input A is a crude adaptation of the classic two transistor fuzz face circuit as published on ElectroSmash utilising notes on the use of silicon transistors in The Technology of the Fuzz Face by R. G. Keen.

The delay core and the two-phase clock that drives it is based on a circuit published in Barry Klein's Electronic Music Circuits.

PCB footprints and schematic symbols are derived from the Kicad official repositories, or created from scratch - these have been included in full within the Kicad project.

Many thanks to Adam Cole for his help with design and testing, and for listening patiently to dumb ideas. Thanks also to Morgan McWaters, Lewis Boyes and the team at Found Sound for their support and encouragement.

Sample Waveforms

Nathan Fraser, August 2018